DJ scratch mixer
Stanton SA-5

- heble produkcji Penny and Giles z możliwością pracy w rewersie
- cross ma możliwość zmiany krzywej cięcia
- optyczne scratchswitch'e OS2 z pamięcią pozycji
- 3 możliwości odsłuchu słuchawgowego (Pre, Post, master)
- dwa wyjścia słuchawkowe(tzw. mały jack i duży jack) z MUTE
- wejście Session z regulacją poziomu głośności

DANE TECHNICZNE
wejścia liniowe 2 RCA x 2 kanały -10dBV/<10kohm
wejścia gramofonowe 2 RCA x 2 kanały, -50dBV/<47kohm
wejścia mikrofonowe 1(TRS1/4) -50 dBV / 2.4 kohm
wyjście MASTER 2 (symetryczne, niesymetryczne)
wyjście słuchawkowe 2 x TRS 1/4
pasmo przenoszenia 20 Hz - 20 kHz +/-1 dB
3-zakresowa regulacja barwy +9dB/-45dB KILL
zniekształcenia THD poniżej 0.015% @ 1 kHz
wymiary 35.56 cm x 24.13 cm x 8.89 cm
waga 3.9 kg

SA-5 Allies Allstar Beatdown Mixer
The SA-5 is the first professional battle mixer which does not have a single rotary knob. Using all faders gives turntablists controls with which they are familiar and comfortable using. The positioning of all sliders and switches has been taken into special consideration for a clean, simple and easy to understand layout that is not over-crowded or confusing. Stanton’s Engineering team has taken great care in designing a mixer that will sound great whether being used on stage at battles or in the studio. It is guaranteed to be the mixer that future world champions are made on. The SA-5 is the exclusive mixer of the Allies Allstar Beatdown battle.

Key Features
2 channel scratch mixer designed exclusively for the Allies All-star Beatdown DJ battle.
Custom Penny and Giles faders and crossfader with curve adjustment.
OSII optical phono/line switches with LOCK feature.
3 position cue select switch Pre CF / Post CF Cue / Master.
3-band EQ with complete kills.
Program Reverse
2 headphone outputs (1/4 and 1/8 minijack) w/headphone mute switch.
Master output attenuation control.
PGM input attenuation control.
Unique front panel design prevents dj from accidentally damaging the headphone jack and mixer during battle.
TRS balanced master outputs.
Ultra Quiet: Dynamic Range greater than 10dB, noise floor less than 92 dBV (line).
No Bleed: Channel fader and Crossfader Kill better than 95 dB.
Line to Phono and Phono to Line Crosstalk better than 90 dB.
Low Distortion: less than 0.015%@1kHz.
SST™ - Superior Sound Technology
Ultra Low Noise Circuitry
No Bleed Through
Low Distortion
Published Specifications for the SA-5
Description Measurement
Frequency Response (Line) 20 Hz to 20 kHz +/-1 dB
THD+N < 0.015% at 1 kHz
Signal to Noise Ratio (ref: max level) 110 dB (main signal path)
Channel EQ Hi +9, -45 dB, Kill: -45 dB
Mid +9, -35 dB, Kill: -35 dB
Low +9, -55dB, Kill: -55 dB
Crosstalk
(Phono to Line/ Line to Line / Phono to Line) < -90 dB at 1 kHz
Channel and Cross Fader Kill < -100 dB

Line Inputs: 2 (RCA) x 2 channels, -10 dBV /10 kOhm
Session Inputs: 2 (RCA) -10 dBV / 10 kOhm
Phono Inputs 2 (RCA) x 2 channels, -50 dBV / 47 kOhm
Mic Inputs 1(1/4) -50 dBV / 2.4 kOhm balanced
Master Outputs 2 (1/4) Balanced/ (RCA) unbalanced,
+4 dBu balanced / -10 dBV unbalanced
Record Outputs 2 (RCA), -10 dBV / < 100 Ohms
Headphone Output 2 (1/4 inch), 2 (1/8 inch) greater than 32 Ohm load
Dimensions (LxWxD) 14 in x 9.5 in x 3.5 in (35.56 cm x 24.13 cm x 8.89 cm)
Weight 8.6 lbs (3.9 kg)

:: download.pdf
[ SA-5 Manual ]

[ Remix Magazine Review ]

___________________________________________________________

Jeśli nie znajdziesz na naszych stronach urządzenia, którego szukasz ...
- koniecznie napisz zapytanie na info@stagefield.pl lub zadzwon!